Back to Blog
Femalefashionadvice true autumn5/15/2023 Trad purists will appreciate how an overcoat can give you the flattering, face-framing effects of a sport coat without making you look dressed up. It’s also one of the only things men with wildly different tastes can agree on. Here are some things that I’m excited to wear this fall.Īn overcoat is like the menswear version of The Little Black Dress. Clothes are a distraction, yes, but a wonderful one as far as distractions go. In one of my favorite articles published last year, New Yorker staff writer Rachel Syme wrote: “What I’ve felt, perhaps, is a yearning for the spontaneous ways that clothing and public life can collide - the feeling, say, of riding the subway, en route to a holiday party, wearing something sparkly and foolish underneath a puffer coat.” The world still isn’t fully open - who knows if things will ever be what they were - but it’s more open than before, and I’m thankful to be able to dress up again. In the last year and a half, it has become crystal clear that dressing well is inextricably linked to the experience of moving through the world. Notre-Dame de Paris was published the following year, and later renamed The Hunchback of Notre-Dame for the English translation. Without the distraction of his clothes and the temptation to go outside, Hugo was able to write continuously for six months while confined to his study. According to his wife, Hugo bought himself a bottle of dark ink and a huge grey knitted shawl, which “swathed him from head to foot.” He then locked up all of his “outside clothes” so that he wouldn’t have access to his outfits. Realizing that Gosselin was serious, Hugo concocted a scheme to keep himself writing. Gosselin kept pestering the French novelist for updates, and by the summer of 1830, he demanded that the book be finished within six months. But between Hugo’s procrastination, writer’s block, and other deadlines, he struggled to complete the book. He wanted to write the book because he was worried that Paris’ Gothic architecture was being rapidly replaced by more modern structures (this is why large sections of the book go into exceeding detail when describing the buildings). Hugo was working on a novel titled Notre-Dame de Paris. In the summer of 1830, French publisher Charles Gosselin grew tired of Victor Hugo’s excuses.
0 Comments
Read More
Leave a Reply. |